• 1

    Eric Hobsbawn. 1994. The Age of Extremes: The Short Twentieth Century – 1914–91. New York: Vintage, 11–12.

  • 2

    Tom Service. 2013. »A Guide to Iannis Xenakis’s Music.« The Guardian. April 2013.

  • 3

    Sharon Kanach. 2010. »Xenakis’ Polytopes.« In Iannis Xenakis: Music and Architecture. New York: Pendragon Press.

  • 4

    Iannis Xenakis. 1956. »The Crisis of Serial Music.« Gravesaner Blätter 6, July, 2–4.

  • 5

    Iannis Xenakis. 1970[2010]. »Topoi.« In Xenakis: Music and Architecture. Ed Sharon Kanach. New York: Pendragon, 142–147.

  • 6

    Heraclitus. »Fragments.« In The Presocratics. 1966. Ed. P.Wheelwright. New York: Macmillan.

  • 7

    Iannis Xenakis. 1954. »Notes towards an Electronic Gesture.« In Xenakis: Music and Architecture. Ed Sharon Kanach. New York: Pendragon, 131–134.

  • 8

    Xenakis. 1967. »The Polytope de Montréal: An Approximate Scenario of Light and Visual Art with the French Pavilion.« In Xenakis: Music and Architecture. Ed Sharon Kanach. New York: Pendragon, 210–211.

  • 9

    See C. Salter. 2013. »N_Polytope: Behaviors in Light and Sound after Iannis Xenakis.« 2013. Xenakis Matters. Ed. Sharon Kanach. New York: Pendragon.

  • 10

    Iannis Xenakis. 2011. Arts/Sciences: Alloys. Ed and Trans. Sharon Kanach. New York: Pendragon.

  • 11

    Ibid, 3–4.