- 1
Christophe Jaffrelot, »The Hindu nationalist reinterpretation of pilgrimage in India: the limits of Yatra politics« in Nations and Nationalism (2009), 15: 1-19.
- 2
Kunal Purohit, H-Pop: The Secretive World of Hindutva Popstars (HarperCollins India, 2023), 2.
- 3
Brian Larkin, »Techniques of Inattention: The Mediality of Loudspeakers in Nigeria« in Anthropological Quarterly, Fall (2014), 991.
- 4
Brian Larkin, »Techniques of Inattention: The Mediality of Loudspeakers in Nigeria« in Anthropological Quarterly, Fall (2014), 991.
- 5
Jonathan Sterne, »The Audible Past: Cultural Origins of Sound Reproduction« (Duke University Press, 2003).
- 6
Brian Larkin, »Techniques of Inattention: The Mediality of Loudspeakers in Nigeria« in Anthropological Quarterly, Fall (2014), 993.
- 7
Alain Corbin, Village Bells: Sound and Meaning in the Nineteenth-Century French Countryside (Columbia University Press, 1998)
- 8
Brian Larkin, »Techniques of Inattention: The Mediality of Loudspeakers in Nigeria« in Anthropological Quarterly, Fall (2014), 992
- 9
Kunal Purohit, »H-Pop: The Secretive World of Hindutva Popstars« (HarperCollins India, 2023).
- 10
Kunal Purohit, »H-Pop: The Secretive World of Hindutva Popstars« (HarperCollins India, 2023).
- 11
Brian Larkin, »Techniques of Inattention: The Mediality of Loudspeakers in Nigeria« in Anthropological Quarterly, Fall (2014).
- 12
Girogio Agamben, What is an Apparatus? And Other Essays (Stanford University Press, 2009).
- 13
Text provided by The Conflictorium, India. The Conflictorium – Museum of Conflict, are the producers of A Sound Democracy.
- 14
Kunal Purohit, H-Pop: The Secretive World of Hindutva Popstars (HarperCollins India, 2023), 13.
- 15
Brian Larkin, »Techniques of Inattention: The Mediality of Loudspeakers in Nigeria« in Anthropological Quarterly, Fall (2014), 997.
- 16
Kunal Purohit, “H-Pop: The Secretive World of Hindutva Popstars” (HarperCollins India, 2023), 2
- 17
Swadeshimeans homegrown/ produced within the country/ not imported.