Mertens, W. (1983), American Minimalist Music. London: Kahn & Averill, 119.

Mertens (1983), 120—121.

Salter, C. (2015), Alien Agency: Experimental Encounters with Art in the Making. Cambridge, MA: MIT Press, 41.

From a perception-sensation point of view, sound is classified as a mechanoreceptor since it involves mechanical forces such as pressure and vibration. Touch, while also mechanical (since it involves pressure) is also classified as a chemoreceptor.

Pickering, A. (2010), »Material Culture and the Dance of Agency«, In The Oxford Handbook of Material Culture Studies, Hicks, D. and Beaudry, M. C. (eds.), Oxford: Oxford University Press, 191—208.

Rheinberger, H.-J., (2010), On Historicizing Epistemology: An Essay, translated by David Fernbach, Stanford: Stanford University Press, 23—25.

Malafouris, L. (2008), »At the Potter’s Wheel: An Argument for Material Agency«, In Material Agency: Towards a Non-Anthropocentric Approach, Knappett, C. and Malafouris, L. (eds.), Vienna: Springer, 19—36.

Malafouris, L. (2008), 35.

Guattari, F., (1990), »Ritornellos and Existential Affects«, translated by Juliana Sciesari and Georges Van Den Abbeele, Discourse, Vol. 12, No. 2, Spring-Summer 1990, 66.

See Greg, M. and Seigworth, G. J. (eds) (2010), The Affect Theory Reader, Durham and London: Duke University Press.

See Polan, D., »Francis Bacon: The Logic of Sensation«, Gilles Deleuze and the Theater of Philosophy, Boundas, C. V. and Olkowski, D. (eds.) (1994), New York: Routledge, 229—254.

Deleuze, G. and Guattari, F. (1994), What Is Philosophy?, translated by Graham Burchell and Hugh Tomlinson, London: Verso.