| | By Mere Nailatikau, AM Kanngieser, KMRU, Laisiasa Dave Lavaki, Tumeli Tuqota (INT) Runs: 26.1. – 4.2.2024 Daily 12 – 21:00 silent green Kuppelhalle Sessions with mandatory masking on: 30.1. at 18:30, 31.1 & 4.2. at 14:00. Discourse talk input: 1.2. | 14 – 15:00 radialsystem, free entry »Oceanic Refractions« is an immersive installation featuring testimonies of Fijian, i-Kiribati and Papua New Guinean elders on kinship, self-determination and care in the face of global ecocide. Along with reflections from these teachers, artists, fisherpeople, grandparents and chiefs, we hear field recordings of the reefs of Fiji, the oceans and mangroves of Kiribati, and the shorelines of Papua New Guinea’s Duke of York Islands. Through hyper-detailed soundscape compositions, combined with 360 videography, kinetic seating, and olfactory effects, »Oceanic Refractions« creates an unforgettable sensorial experience. Moved by listening and silence, the installation offers audiences rare insights into the environmental relations sustaining Oceania’s many worlds. The result of several years of research and talanoa (dialogue) with Indigenous leaders, scholars, artists and advocates from Fiji, Kiribati, Papua New Guinea, the Marshall Islands and Nauru, the work is led and produced by artists AM Kanngieser (Australia/Germany) and Mere Nailatikau (Fiji) and who combine their expertise in climate research, education and arts (Kanngieser) and Pacific communication and international relations (Nailatikau), as I they work with sound artist KMRU (Kenya/Germany), filmmakers Laisiasa Dave Lavaki (Fiji) and Tumeli Tuqota (Fiji), olfactory designer Smell Art (Australia), design and fabrication studio Space Forms (Ireland) and projection specialist Algorithm (Ireland). The themes addressed by the installation will be further explored through talks and lectures at both CTM Festival and transmediale, as well as through specially commissioned texts featured via the festival magazines. »Oceanic Refractions« is co-produced by CTM Festival and transmediale with funding by the Hauptstadtkulturfonds (German Capital Culture Fonds), Creative Australia and with support from the European Commission. More information | | |